(
OOC NOTE: Rena's actions included with Rena's permission, discussed OOC beforehand.)
"... Rena. Let him speak."
Beak preached being ready for anything before leading the group into this encounter, but she herself has been nothing but surprised by one revelation after another. That
this is the source of the "curse," that Rekkel was behind everything this whole time, that Rena has this kind of downright chilling persona when the situation calls for it... even that
Marion, sweet baby that he normally is, is capable of being this upset... but she
thinks she's putting most of the picture together now. Mostly. There's just one piece missing.
"As for you, Rekkel... I just want to know one thing. And no lies, now. I believe you know the reputation of the one who's holding your neck right now. I believe you know how much patience she has for you playing games."
At Beak's request Rena loosens her grip...
barely. The lizard only gives a strained "hhhh" in response; the crow is making it abundantly clear that this is a "you speak when spoken to, no more, and no less" sort of arrangement.
"... Why?" Beak asks. "You set
all of this up from the very beginning... you poisoned your own daughter
just so you had a crime you could blame
me for... but
why? What did I ever do to you?"
Rekkel's breathing is strained, ragged. "I-I didn't... I never-"
Wrong answer.
Rena's hand tightens
considerably, as if threatening to crush the lizard's throat before he even has a chance to suffocate. Panicked squirms on Rekkel's part indicate a newfound willingness to try that question again, and the grip once again loosens.
"I... b-because...." Rekkel's voice is strained, gravelly, clearly feeling the effects of that squeeze. "Because you're a
monster."
Beak freezes. Her skull shows no emotion, and whatever she's feeling internally, the telepathic connection is... experiencing issues, in light of a sudden emotional state.
"You're... look at you," Rekkel continues. "Th.. think I didn't
notice? You really think that robe is fooling anyone?? We've got all these fae runnin' around... don't tell me you haven't heard the news, all the increased attacks... we're being
invaded, and y-you...."
"... And I'm a skeleton," Beak finishes. She knows where this is going.
"Figured I'd get some adventurers to... to clean up. Rid the land of your filth. Or maybe I could get the guards to come for you... once I told 'em you were putting curses on innocents...."
Much like Rena, there is something different about Beak's "voice." Something darker.
Colder. "You poisoned your own daughter, hired the assassins with the blackest reputation in the land and then
lied to them, and tried to frame and kill someone who never wronged you in any way, all so you could say that
I'm the monster." One last chance... and it's a very small chance, but... one final chance to
try to salvage a somewhat calm mood, lest the quiet fury of the moment overtake her. "... I think we have enough here that the guards will see things a little differently, don't you?"
"
Hah." Rekkel's retort is
far too cocky for someone in the position he's in. "You think so, huh? Sure, go on. Call a guard. Tell 'em I did all this. Tell 'em I brewed up a poison and lied to some criminals. I'll tell 'em I had to get my hands dirty, do whatever it took in order to expose and cleanse the land of the undead. See whose side they take. See who's the
hero. Go on. I'll wait."
Beak freezes again. Is she afraid? Furious? Heartbroken? Rekkel's words may not even be true--are the guards of Lilicors
really that prejudiced against the undead?--but it's one of Beak's greatest fears, rational or not. And seeing her shut down in response is... unsettling, when any number of things could make her feel strongly enough that her telepathy just
stops."I told you," Rekkel says with a sick smile, as if he were the one
winning in this exchange. As if he had the upper hand, somehow, despite being at the crow's mercy. "I told
all of you, from day one... I'd do
anything for my daughter."
"...
Rena."
Ah. There she is, and... oh, there's a tone that Beak hasn't had to bring out yet. So much for controlling that quiet fury. If her "voice" sounds like how she's perceived, and Rekkel wants her to be some sort of demon, well... that can be arranged.
"
Rena, bring our friend closer, please."
And then,
far too quickly for him to have been set down carefully--or anything short of a violent slam, really--the lizard is forced onto his knees in front of Beak, the crow still holding him from behind tightly enough to make every breath an effort.
Beak, meanwhile, is extraordinarily slow in her descent, in sinking ever so gradually to the ground so her gaze can meet the lizard's. Not because of the "old woman" act, mind--Rekkel has made it very clear that he sees through that. No, she's giving herself time to think of her words, and giving
him time to let this moment sink in, to let him sit with the thought of how much trouble he's in for as long as he can.
"Fifty years," Beak finally begins. The fury of her voice has lessened, but it is every bit as cold. "
Fifty years I've been alive in this undead state. And I hid. I stayed out of society. I'd done
everything for my tribe,
given everything, I fought and died, I woke up like this... I never
asked to wake up like this, you know. And I bore it all, I stayed quiet, stayed hidden for as long as I could... because of
people like you. I hid for decades because
people like you think that no matter what you
do--even
poisoning your daughter--you'll still be better than me just for what I
am."
She glances toward Nev, making sure that Rekkel does as well. "See this raven? This raven was erased from the minds or memories even of those who love them the most. Unseen. Unheard. No one they loved so much as remembered that they ever existed, that they were ever a part of their lives. They were forced to be just invisible as I
tried to make myself. All while
you sat front and center and declared from your comfortable seat that people like us should exist
even less."
"Maybe we should show you how it feels, hmm? Maybe you should see what it's like down here. Maybe by the time we're done with you, even other criminals won't ever mention your name again, lest it be considered bad luck. Your daughter... oh, she'll be fine. She'll recover, we'll see to that. And she'll be the first to forget she ever even had a father."
Rekkel tries to look away, to break eye contact, to hide his face.
Wrong answer. Beak grabs the lizard's snout like a handle, forcefully pulling it back up to look directly into her empty eye sockets
whether he wants to or not."I don't think you
understand, Rekkel. I tried
so hard for
so long to be good, to be harmless, to be
invisible. But you want a
monster. You want
curses."
The way she "lets go" of the lizard's snout is more like a rough throw than a gentle release.
"... Fine. Here's a curse for you."
She stands back up, and the way she nudges underneath the lizard's chin with her walking stick suggests she wants him up as well. Once his captor obliges, she... well, she really can't look him in the eye; she's a good three feet taller than he is. That's fine. She's done looking at him. In fact, she'll never look at him again. She turns back, taking a few small steps as if to walk away from him entirely. She leaves only these words:
"
Kas rittek dastei res kuk sektit."
1She keeps her back turned as she hears some manner of unsettling noise, like what might have been the start of a scream before it was cut off. She doesn't look. She doesn't want to know. Not because she's squeamish, but because he doesn't deserve for anyone to know. His fate will not be recorded. He never existed.
"Goodbye... you."
[1]"I tear your page from the book." Given the Ibekki belief in the book and everyone's place remembered and recorded in it, this is the most vile thing any one person could ever say to another on a casual or informal level. Formally, if said by a Gri'kka or other official, it signifies banishment and exile.